PERFORMATIVITAS DALAM MANGA SHONEN-AI: SEKAIICHI HATSUKOI, HENSHIN DEKINAI DAN HIMANANODE HAJIMETE MIMASHITA
| Main Author: | Savitri Paramita, Ni Made |
|---|---|
| Format: | Article info application/pdf eJournal |
| Bahasa: | ind |
| Terbitan: |
Ilmu Sastra, Fakultas Ilmu Budaya Universitas Gadjah Mada
, 2014
|
| Online Access: |
https://jurnal.ugm.ac.id/poetika/article/view/10443 https://jurnal.ugm.ac.id/poetika/article/view/10443/7887 |
| ctrlnum |
article-10443 |
|---|---|
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<dc schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><title lang="id-ID">PERFORMATIVITAS DALAM MANGA SHONEN-AI: SEKAIICHI HATSUKOI, HENSHIN DEKINAI DAN HIMANANODE HAJIMETE MIMASHITA</title><creator>Savitri Paramita, Ni Made</creator><description lang="id-ID">This research underlies the analysis on the performance and performativity of characters in shonen-ai: Sekaiichi Hatsukoi, Henshin Dekinai, and Himananode Hajimete Mimashita manga. Characterization in shonen-ai manga is based on the characters’ role within the same-sex relationship, which are the male role (seme) and the female role (uke). The character of Seme tends to be aggressive, protective, smart, good looking, and unemotional. On the other hand, Uke is feminine, smaller, physically weak, insecure, and emotional. The writer would like to analyze whether performance align with performativity based on the characterization of seme and uke. Judith Butler’s Performativity is used as theoretical framework within the research. The theory covers gender, performance, and performativity. Gender as social construction is fluid and unbound to the body. This phenomenon is seen in these three shonen-ai manga. Character that looks masculine does not always have the male role (seme) and the feminine one does not always have the female role (uke). Physical performance is not merely associated with gender (performativity).Keywords: shonen-ai manga, same-sex relationship, performativity, gender.</description><publisher lang="en-US">Ilmu Sastra, Fakultas Ilmu Budaya Universitas Gadjah Mada</publisher><contributor lang="id-ID"/><date>2014-12-01</date><type>Journal:Article</type><type>Other:info:eu-repo/semantics/publishedVersion</type><type>Journal:Article</type><type>File:application/pdf</type><identifier>https://jurnal.ugm.ac.id/poetika/article/view/10443</identifier><identifier>10.22146/poetika.10443</identifier><source lang="id-ID">POETIKA; Vol 2, No 2 (2014)</source><source lang="en-US">Poetika : Jurnal Ilmu Sastra; Vol 2, No 2 (2014)</source><source>2503-4642</source><source>2338-5383</source><language>ind</language><relation>https://jurnal.ugm.ac.id/poetika/article/view/10443/7887</relation><rights lang="en-US">Copyright (c) 2014 Jurnal POETIKA</rights><rights lang="en-US">http://creativecommons.org/licenses/by-sa/4.0</rights><recordID>article-10443</recordID></dc>
|
| language |
ind |
| format |
Journal:Article Journal Other:info:eu-repo/semantics/publishedVersion Other File:application/pdf File Journal:eJournal |
| author |
Savitri Paramita, Ni Made |
| title |
PERFORMATIVITAS DALAM MANGA SHONEN-AI: SEKAIICHI HATSUKOI, HENSHIN DEKINAI DAN HIMANANODE HAJIMETE MIMASHITA |
| publisher |
Ilmu Sastra, Fakultas Ilmu Budaya Universitas Gadjah Mada |
| publishDate |
2014 |
| url |
https://jurnal.ugm.ac.id/poetika/article/view/10443 https://jurnal.ugm.ac.id/poetika/article/view/10443/7887 |
| contents |
This research underlies the analysis on the performance and performativity of characters in shonen-ai: Sekaiichi Hatsukoi, Henshin Dekinai, and Himananode Hajimete Mimashita manga. Characterization in shonen-ai manga is based on the characters’ role within the same-sex relationship, which are the male role (seme) and the female role (uke). The character of Seme tends to be aggressive, protective, smart, good looking, and unemotional. On the other hand, Uke is feminine, smaller, physically weak, insecure, and emotional. The writer would like to analyze whether performance align with performativity based on the characterization of seme and uke. Judith Butler’s Performativity is used as theoretical framework within the research. The theory covers gender, performance, and performativity. Gender as social construction is fluid and unbound to the body. This phenomenon is seen in these three shonen-ai manga. Character that looks masculine does not always have the male role (seme) and the feminine one does not always have the female role (uke). Physical performance is not merely associated with gender (performativity).Keywords: shonen-ai manga, same-sex relationship, performativity, gender. |
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Universitas Gadjah Mada |
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Philosophy and Theory of Literatures Literature Sastra Filsafat dan Teori Kesusastraan |
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SLEMAN |
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DAERAH ISTIMEWA YOGYAKARTA |
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