REPRESENTASI RASISME PADA FILM “12 YEARS A SLAVE” (Analisis Semiotika Roland Barthes)
Main Authors: | Wirianto, Ricky; Program Studi Ilmu Komunikasi Fakultas Ilmu Sosial dan Humaniora Universitas Bunda Mulia Jakarta Utara, Girsang, Lasmery Rosentauly Meissalinya; Program Studi Ilmu Komunikasi Fakultas Ilmu Sosial dan Humaniora Universitas Bunda Mulia Jakarta Utara |
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Format: | Article info application/pdf |
Bahasa: | eng |
Terbitan: |
Universitas Bunda Mulia
, 2017
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Online Access: |
https://journal.ubm.ac.id/index.php/semiotika/article/view/31 https://journal.ubm.ac.id/index.php/semiotika/article/view/31/32 |
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article-31 |
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<dc schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><title lang="en-US">REPRESENTASI RASISME PADA FILM “12 YEARS A SLAVE” (Analisis Semiotika Roland Barthes)</title><creator>Wirianto, Ricky; Program Studi Ilmu Komunikasi
Fakultas Ilmu Sosial dan Humaniora
Universitas Bunda Mulia
Jakarta Utara</creator><creator>Girsang, Lasmery Rosentauly Meissalinya; Program Studi Ilmu Komunikasi
Fakultas Ilmu Sosial dan Humaniora
Universitas Bunda Mulia
Jakarta Utara</creator><description lang="en-US">Film has been a need for society, not only as entertainment tool, but also as education tool that sets social values up among society. Including “12 Years A Slave” film which describes slavery in racism issue. All symbols and attributes in this film are necessarily explored to understand slavery reality in United States of America at that era. This qualitative research is subjective-interpretive using semiotic analysis, namely two orders from Roland Barthes. Researcher chooses sampling from selected scenes related to racism issues. For the results, there are four representations of racism, namely: (1) White people dominates the black people, (2) White people is hero for black people, (3) Black people is the incarnation of devil, and (4) Black people is set up for working, not for academic. Keywords: Racism, Representation, Film, Semiotics, Roland Barthes</description><publisher lang="en-US">Universitas Bunda Mulia</publisher><contributor lang="en-US"/><date>2017-01-13</date><type>Journal:Article</type><type>Other:info:eu-repo/semantics/publishedVersion</type><type>Journal:Article</type><type>File:application/pdf</type><identifier>https://journal.ubm.ac.id/index.php/semiotika/article/view/31</identifier><identifier>10.30813/s:jk.v10i1.31</identifier><source lang="en-US">SEMIOTIKA: Jurnal Komunikasi; Vol 10, No 1 (2016): SEMIOTIKA: Jurnal Komunikasi</source><source>2579-8146</source><source>1978-7413</source><language>eng</language><relation>https://journal.ubm.ac.id/index.php/semiotika/article/view/31/32</relation><rights lang="en-US">Copyright (c) 2017 Semiotika</rights><recordID>article-31</recordID></dc>
|
language |
eng |
format |
Journal:Article Journal Other:info:eu-repo/semantics/publishedVersion Other File:application/pdf File |
author |
Wirianto, Ricky; Program Studi Ilmu Komunikasi
Fakultas Ilmu Sosial dan Humaniora
Universitas Bunda Mulia
Jakarta Utara Girsang, Lasmery Rosentauly Meissalinya; Program Studi Ilmu Komunikasi Fakultas Ilmu Sosial dan Humaniora Universitas Bunda Mulia Jakarta Utara |
title |
REPRESENTASI RASISME PADA FILM “12 YEARS A SLAVE” (Analisis Semiotika Roland Barthes) |
publisher |
Universitas Bunda Mulia |
publishDate |
2017 |
url |
https://journal.ubm.ac.id/index.php/semiotika/article/view/31 https://journal.ubm.ac.id/index.php/semiotika/article/view/31/32 |
contents |
Film has been a need for society, not only as entertainment tool, but also as education tool that sets social values up among society. Including “12 Years A Slave” film which describes slavery in racism issue. All symbols and attributes in this film are necessarily explored to understand slavery reality in United States of America at that era. This qualitative research is subjective-interpretive using semiotic analysis, namely two orders from Roland Barthes. Researcher chooses sampling from selected scenes related to racism issues. For the results, there are four representations of racism, namely: (1) White people dominates the black people, (2) White people is hero for black people, (3) Black people is the incarnation of devil, and (4) Black people is set up for working, not for academic. Keywords: Racism, Representation, Film, Semiotics, Roland Barthes |
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Universitas Bunda Mulia |
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Prodi Ilmu Komunikasi |
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SEMIOTIKA |
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Budaya Linguistics/Linguistik Literature/Kesusastraan Semiotika |
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JAKARTA UTARA |
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DKI JAKARTA |
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