Orkes Simfoni Jakarta dalam Perspektif Habitus Bourdieu
| Main Author: | Susilo, Y. Edhi |
|---|---|
| Format: | Article info application/pdf eJournal |
| Bahasa: | eng |
| Terbitan: |
Institut Seni Indonesia Yogyakarta
|
| Subjects: | |
| Online Access: |
http://journal.isi.ac.id/index.php/JOUSA/article/view/771 http://journal.isi.ac.id/index.php/JOUSA/article/view/771/129 |
| ctrlnum |
article-771 |
|---|---|
| fullrecord |
<?xml version="1.0"?>
<dc schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><title lang="en-US">Orkes Simfoni Jakarta dalam Perspektif Habitus Bourdieu</title><creator>Susilo, Y. Edhi</creator><subject lang="en-US">sawer art, Sundanese wedding, marriage ceremony, continuity, change</subject><description lang="en-US">Artikel ini membahas habitus orkes simfoni dan pelaku orkes simfoni menurutperspektif habitus Bourdieu. Orkes simfoni sebagai sebuah habitus sudahberlangsung di Indonesia.Perjalanannya diwarnai dengan perubahan-perubahanpada kondisi yang melingkupinya dan para pelaku orkestra yang mendukungnya.Tulisan ini akanmenguraikan keberadaan orkes simfoni sejak tahun 1950-anhingga kondisi saat ini. Penelitian ini bertujuan untuk mengetahui sejarah danperkembangan orkes simfoni di Indonesia. Teori yang digunakan adalah teori sosialPierre Bourdieu mengenai ”habitus” dan ”pembentukan kelas”. Jakarta Symphony Orchestra on Bourdieu’s Habitus Perspective. This articlemainly discusses the habitus of symphony orchestra and the players according toBourdieu’s habitus perspective. The symphony orchestra as a habitus has already takenplace in Indonesia. The journey was influenced by the changes in the surroundingconditions and the supporting orchestra players. This articlewill describe the existenceof the symphony orchestra since the 1950s to its condition lately. Moreover, this studyisaimed to determine the history and development of the symphony orchestra in Indonesia.The theory used in the study is the social theory of Pierre Bourdieu on “habitus” and“class formation”.</description><publisher lang="en-US">Institut Seni Indonesia Yogyakarta</publisher><contributor lang="en-US"/><date>2014-11-10</date><type>Journal:Article</type><type>Other:info:eu-repo/semantics/publishedVersion</type><type>Journal:Article</type><type>File:application/pdf</type><identifier>http://journal.isi.ac.id/index.php/JOUSA/article/view/771</identifier><source lang="en-US">Journal of Urban Society's Arts; Vol 12, No 2 (2012): Oktober 2012; 110-123</source><source>2355-214x</source><source>2355-2131</source><language>eng</language><relation>http://journal.isi.ac.id/index.php/JOUSA/article/view/771/129</relation><recordID>article-771</recordID></dc>
|
| language |
eng |
| format |
Journal:Article Journal Other:info:eu-repo/semantics/publishedVersion Other File:application/pdf File Journal:eJournal |
| author |
Susilo, Y. Edhi |
| title |
Orkes Simfoni Jakarta dalam Perspektif Habitus Bourdieu |
| publisher |
Institut Seni Indonesia Yogyakarta |
| topic |
sawer art, Sundanese wedding, marriage ceremony, continuity, change |
| url |
http://journal.isi.ac.id/index.php/JOUSA/article/view/771 http://journal.isi.ac.id/index.php/JOUSA/article/view/771/129 |
| contents |
Artikel ini membahas habitus orkes simfoni dan pelaku orkes simfoni menurutperspektif habitus Bourdieu. Orkes simfoni sebagai sebuah habitus sudahberlangsung di Indonesia.Perjalanannya diwarnai dengan perubahan-perubahanpada kondisi yang melingkupinya dan para pelaku orkestra yang mendukungnya.Tulisan ini akanmenguraikan keberadaan orkes simfoni sejak tahun 1950-anhingga kondisi saat ini. Penelitian ini bertujuan untuk mengetahui sejarah danperkembangan orkes simfoni di Indonesia. Teori yang digunakan adalah teori sosialPierre Bourdieu mengenai ”habitus” dan ”pembentukan kelas”. Jakarta Symphony Orchestra on Bourdieu’s Habitus Perspective. This articlemainly discusses the habitus of symphony orchestra and the players according toBourdieu’s habitus perspective. The symphony orchestra as a habitus has already takenplace in Indonesia. The journey was influenced by the changes in the surroundingconditions and the supporting orchestra players. This articlewill describe the existenceof the symphony orchestra since the 1950s to its condition lately. Moreover, this studyisaimed to determine the history and development of the symphony orchestra in Indonesia.The theory used in the study is the social theory of Pierre Bourdieu on “habitus” and“class formation” |
| id |
IOS377.article-771 |
| institution |
Institut Seni Indonesia Yogyakarta |
| institution_id |
84 |
| institution_type |
library:university library |
| library |
Perpustakaan Institut Seni Indonesia Yogyakarta |
| library_id |
99 |
| collection |
Journal of Urban Society ́s Arts |
| repository_id |
377 |
| subject_area |
Arts and Humanities Social Sciences |
| city |
KOTA YOGYAKARTA |
| province |
DAERAH ISTIMEWA YOGYAKARTA |
| repoId |
IOS377 |
| first_indexed |
2016-09-21T13:21:51Z |
| last_indexed |
2016-09-21T13:21:51Z |
| recordtype |
dc |
| _version_ |
1546087682368602112 |
| score |
17.605045 |