РОЛЬ НЕВЕРБАЛЬНИХ КОМПОНЕНТІВ У СПРИЙНЯТТІ ДУОВІРШІВ ПОЛЯ ЕЛЮАРА ТА МАНА РЕЯ (ЗБІРКА «LES MAINS LIBRES»)
| Main Author: | Івлєва Ю.О. |
|---|---|
| Format: | Proceeding Journal |
| Bahasa: | ukr |
| Terbitan: |
, 2021
|
| Subjects: | |
| Online Access: |
https://zenodo.org/record/4642806 |
| ctrlnum |
4642806 |
|---|---|
| fullrecord |
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<dc schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><creator>Івлєва Ю.О.</creator><date>2021-04-02</date><description>This study is a part of more thorough study of the poetics of Paul Eluard's «pictopoetry» in the context of surrealism on the example of the anthology «Free Hands», created in collaboration with American photographer Man Ray. Surrealism as a direction refers to transitional or crisis epochs, which are characterized by revolutionism, the search for new means of description of the surrounding reality (the synthesis of several arts in one work, the use of nonverbal components in poetry to better understand the full range of meanings laid down by the author, the unique composition etc.), the intermediality. The pictopoetic anthology of Paul Eluard and Man Ray «Free Hands» is a bright example of the use in one work of all the above features of surrealism as a direction. An analysis of one of the duopoems of this anthology proves its intermediate nature, which, in turn, includes the use of nonverbal components in the work. This is, first of all, the melody of the poem, the rhythm, a large number of various symbols (Paul Eluard) and the line as the main element of graphics, the elements of photography (Man Ray). These components play a major role in understanding the concept of this anthology, because without its the reader perceives it incompletely.</description><identifier>https://zenodo.org/record/4642806</identifier><identifier>10.5281/zenodo.4642806</identifier><identifier>oai:zenodo.org:4642806</identifier><language>ukr</language><relation>doi:10.5281/zenodo.4642805</relation><rights>info:eu-repo/semantics/openAccess</rights><rights>https://creativecommons.org/licenses/by/4.0/legalcode</rights><source>99-104</source><subject>Paul Eluard, Man Ray, duopoem, intermediality, nonverbal components, surrealism, modernism</subject><title>РОЛЬ НЕВЕРБАЛЬНИХ КОМПОНЕНТІВ У СПРИЙНЯТТІ ДУОВІРШІВ ПОЛЯ ЕЛЮАРА ТА МАНА РЕЯ (ЗБІРКА «LES MAINS LIBRES»)</title><type>Journal:Proceeding</type><type>Journal:Proceeding</type><recordID>4642806</recordID></dc>
|
| language |
ukr |
| format |
Journal:Proceeding Journal Journal:Journal |
| author |
Івлєва Ю.О. |
| title |
РОЛЬ НЕВЕРБАЛЬНИХ КОМПОНЕНТІВ У СПРИЙНЯТТІ ДУОВІРШІВ ПОЛЯ ЕЛЮАРА ТА МАНА РЕЯ (ЗБІРКА «LES MAINS LIBRES») |
| publishDate |
2021 |
| topic |
Paul Eluard Man Ray duopoem intermediality nonverbal components surrealism modernism |
| url |
https://zenodo.org/record/4642806 |
| contents |
This study is a part of more thorough study of the poetics of Paul Eluard's «pictopoetry» in the context of surrealism on the example of the anthology «Free Hands», created in collaboration with American photographer Man Ray. Surrealism as a direction refers to transitional or crisis epochs, which are characterized by revolutionism, the search for new means of description of the surrounding reality (the synthesis of several arts in one work, the use of nonverbal components in poetry to better understand the full range of meanings laid down by the author, the unique composition etc.), the intermediality. The pictopoetic anthology of Paul Eluard and Man Ray «Free Hands» is a bright example of the use in one work of all the above features of surrealism as a direction. An analysis of one of the duopoems of this anthology proves its intermediate nature, which, in turn, includes the use of nonverbal components in the work. This is, first of all, the melody of the poem, the rhythm, a large number of various symbols (Paul Eluard) and the line as the main element of graphics, the elements of photography (Man Ray). These components play a major role in understanding the concept of this anthology, because without its the reader perceives it incompletely. |
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ZAIN Publications |
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7213 |
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Cognizance Journal of Multidisciplinary Studies |
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5267 |
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Cognizance Journal of Multidisciplinary Studies |
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16997 |
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Multidisciplinary |
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Stockholm |
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INTERNASIONAL |
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