AKTUALISASI DIRI DAN MEDIA SOSIAL (DRAMATURGI KAUM MILENIAL DALAM MEDIA SOSIAL TIKTOK): AKTUALISASI DIRI DAN MEDIA SOSIAL (DRAMATURGI KAUM MILENIAL DALAM MEDIA SOSIAL TIKTOK)

Main Author: Dayuoman, Ida Ayu Nyoman Sutriani
Format: Article info application/pdf Journal
Bahasa: eng
Terbitan: UHN IGB Sugriwa Denpasar , 2022
Subjects:
Online Access: https://ojs.uhnsugriwa.ac.id/index.php/WD/article/view/1655
https://ojs.uhnsugriwa.ac.id/index.php/WD/article/view/1655/1117
ctrlnum article-1655
fullrecord <?xml version="1.0"?> <dc schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><title lang="id-ID">AKTUALISASI DIRI DAN MEDIA SOSIAL (DRAMATURGI KAUM MILENIAL DALAM MEDIA SOSIAL TIKTOK): AKTUALISASI DIRI DAN MEDIA SOSIAL (DRAMATURGI KAUM MILENIAL DALAM MEDIA SOSIAL TIKTOK)</title><creator>Dayuoman, Ida Ayu Nyoman Sutriani</creator><subject lang="id-ID">Self-Actualization, TikTok Social Media, Dramaturgy, Millennials</subject><description lang="en-US">This study questions the dramaturgy of millennials in Mataram City in the Tiktok social media space. This research is designed in qualitative research with a phenomenological model. The purpose of this research is to conduct scientific studies to contribute ideas to the development of science, especially in the field of communication science. Data collection techniques applied in this study are observation, interviews, and documentation. The research data were analyzed by data reduction techniques, data presentation, and conclusion drawing. To simplify the analysis process, Erving Goffman's Dramaturgy theory is used. Based on the results of the study, it was found that it was important that the presence of TikTok as a popular social media platform among millennials in Mataram City became a means of self-actualization in building self-existence. Aware of self-assessment through social media, the account owners carry out management construction to display the image or picture in another version. This is done for specific goals and objectives to be achieved. TikTok social media allows users to show a picture of themselves as desired but react to the impression displayed by the public. On TikTok social media, the front stage, which is the actor's area in constructing impression management, and the backstage, the scope of &#x200B;&#x200B;the actor who describes his actual situation, can be presented simultaneously.</description><description lang="id-ID">This study questions the dramaturgy of millennials in Mataram City in the Tiktok social media space. This research is designed in qualitative research with a phenomenological model. The purpose of this research is to conduct scientific studies to contribute ideas to the development of science, especially in the field of communication science. Data collection techniques applied in this study are observation, interviews, and documentation. The research data were analyzed by data reduction techniques, data presentation, and conclusion drawing. To simplify the analysis process, Erving Goffman's Dramaturgy theory is used. Based on the results of the study, it was found that it was important that the presence of TikTok as a popular social media platform among millennials in Mataram City became a means of self-actualization in building self-existence. Aware of self-assessment through social media, the account owners carry out management construction to display the image or picture in another version. This is done for specific goals and objectives to be achieved. TikTok social media allows users to show a picture of themselves as desired but react to the impression displayed by the public. On TikTok social media, the front stage, which is the actor's area in constructing impression management, and the backstage, the scope of &#x200B;&#x200B;the actor who describes his actual situation, can be presented simultaneously.</description><publisher lang="en-US">UHN IGB Sugriwa Denpasar</publisher><date>2022-10-08</date><type>Journal:Article</type><type>Other:info:eu-repo/semantics/publishedVersion</type><type>Journal:Article</type><type>File:application/pdf</type><identifier>https://ojs.uhnsugriwa.ac.id/index.php/WD/article/view/1655</identifier><identifier>10.25078/wd.v17i2.1655</identifier><source lang="en-US">Widya Duta: Jurnal Ilmiah Ilmu Sosial Budaya; Vol. 17 No. 2 (2022): Widya Duta September 2022; 89-98</source><source lang="id-ID">Widya Duta: Jurnal Ilmiah Ilmu Sosial Budaya; Vol 17 No 2 (2022): Widya Duta September 2022; 89-98</source><source>2620-3146</source><source>1978-1075</source><language>eng</language><relation>https://ojs.uhnsugriwa.ac.id/index.php/WD/article/view/1655/1117</relation><rights lang="en-US">Copyright (c) 2022 Widya Duta: Jurnal Ilmiah Ilmu Agama dan Ilmu Sosial Budaya</rights><recordID>article-1655</recordID></dc>
language eng
format Journal:Article
Journal
Other:info:eu-repo/semantics/publishedVersion
Other
File:application/pdf
File
Journal:Journal
author Dayuoman, Ida Ayu Nyoman Sutriani
title AKTUALISASI DIRI DAN MEDIA SOSIAL (DRAMATURGI KAUM MILENIAL DALAM MEDIA SOSIAL TIKTOK): AKTUALISASI DIRI DAN MEDIA SOSIAL (DRAMATURGI KAUM MILENIAL DALAM MEDIA SOSIAL TIKTOK)
publisher UHN IGB Sugriwa Denpasar
publishDate 2022
topic Self-Actualization
TikTok Social Media
Dramaturgy
Millennials
url https://ojs.uhnsugriwa.ac.id/index.php/WD/article/view/1655
https://ojs.uhnsugriwa.ac.id/index.php/WD/article/view/1655/1117
contents This study questions the dramaturgy of millennials in Mataram City in the Tiktok social media space. This research is designed in qualitative research with a phenomenological model. The purpose of this research is to conduct scientific studies to contribute ideas to the development of science, especially in the field of communication science. Data collection techniques applied in this study are observation, interviews, and documentation. The research data were analyzed by data reduction techniques, data presentation, and conclusion drawing. To simplify the analysis process, Erving Goffman's Dramaturgy theory is used. Based on the results of the study, it was found that it was important that the presence of TikTok as a popular social media platform among millennials in Mataram City became a means of self-actualization in building self-existence. Aware of self-assessment through social media, the account owners carry out management construction to display the image or picture in another version. This is done for specific goals and objectives to be achieved. TikTok social media allows users to show a picture of themselves as desired but react to the impression displayed by the public. On TikTok social media, the front stage, which is the actor's area in constructing impression management, and the backstage, the scope of ​​the actor who describes his actual situation, can be presented simultaneously.
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