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KOMUNIKASI VISUAL KARTUN SOMPRET KARYA I WAYAN SADHA

Main Authors: Nuriarta, I Wayan , Artha, I Gede Agus Indram Bayu , Pramesti, Ni Putu Dhea , Wibawa, Pande Putu Sastra
Format: Article info application/pdf Journal
Bahasa: ind
Terbitan: UHN IGB Sugriwa Denpasar , 2022
Subjects:
Cartoons
Globalization
Semiotics
Visual Communication Design
Balinese Culture
Online Access: https://ojs.uhnsugriwa.ac.id/index.php/WD/article/view/219
https://ojs.uhnsugriwa.ac.id/index.php/WD/article/view/219/193
ctrlnum article-219
fullrecord <?xml version="1.0"?> <dc schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><title lang="id-ID">KOMUNIKASI VISUAL KARTUN SOMPRET KARYA I WAYAN SADHA</title><creator>Nuriarta, I Wayan </creator><creator>Artha, I Gede Agus Indram Bayu </creator><creator>Pramesti, Ni Putu Dhea </creator><creator>Wibawa, Pande Putu Sastra </creator><subject lang="id-ID">Cartoons</subject><subject lang="id-ID">Globalization</subject><subject lang="id-ID">Semiotics</subject><subject lang="id-ID">Visual Communication Design</subject><subject lang="id-ID">Balinese Culture</subject><description lang="id-ID">This paper was written to read visual signs and verbal markscontained in the cartoon Sompret by I Wayan Sadha. I Wayan Sadha'sSompret cartoon has its uniqueness as a work of visual communication.The uniqueness is that the visual communication of this cartoon presentsillustrations, typography, and layouts with a deep appreciation of Balineseculture. The illustration presents a Balinese wearing a headdress is arepresentation of a Balinese in traditional culture. The illustration of aBalinese without a headdress is a representation of a Balinese who is in themodern culture. The typography used utilizes the display font to presentthe conversation and clarify the description of the image. The letters areused to explain the issue raised as Sadha's opinion and point of view on theBali issues. Sadha's Sompret Cartoons only use lines, no color, so his worksappeared as black and white cartoons. Sompret cartoons used thesymmetrical balance composition and hidden balance layout, theperspective of human eye level, and the perspective of a bird's eye. Thisresearch uses descriptive qualitative research method. Semiotic theory isused in this research and focus on denotation and connotation meaning.Denotationally, the Sompret cartoon of Sadha presents a narrative ofevents based on the issue raised related to Balinese traditional culture andthe flow of globalization. The work is created in a one-panel cartoon. Thestory of this cartoon sometimes with conversations of several charactersor only illustrations of the characters without any conversation. With thenarrative being built, the meaning of the connotation can be read. Theconnotations meaning of Sompret cartoons as opinion cartoons is showingthe flow of globalization or modern culture in the middle of the strength ofthe Balinese traditional culture. Connotatively this cartoon can be read asa development of globalization in Bali</description><publisher lang="en-US">UHN IGB Sugriwa Denpasar</publisher><date>2022-01-08</date><type>Journal:Article</type><type>Other:info:eu-repo/semantics/publishedVersion</type><type>Journal:Article</type><type>File:application/pdf</type><identifier>https://ojs.uhnsugriwa.ac.id/index.php/WD/article/view/219</identifier><identifier>10.25078/wd.v16i2.219</identifier><source lang="en-US">Widya Duta: Jurnal Ilmiah Ilmu Sosial Budaya; Vol. 16 No. 2 (2021): WIDYA DUTA SEPTEMBER 2021; 164-173</source><source lang="id-ID">Widya Duta: Jurnal Ilmiah Ilmu Sosial Budaya; Vol 16 No 2 (2021): WIDYA DUTA SEPTEMBER 2021; 164-173</source><source>2620-3146</source><source>1978-1075</source><language>ind</language><relation>https://ojs.uhnsugriwa.ac.id/index.php/WD/article/view/219/193</relation><rights lang="en-US">Copyright (c) 2021 Widya Duta</rights><recordID>article-219</recordID></dc>
language ind
format Journal:Article
Journal
Other:info:eu-repo/semantics/publishedVersion
Other
File:application/pdf
File
Journal:Journal
author Nuriarta, I Wayan
Artha, I Gede Agus Indram Bayu
Pramesti, Ni Putu Dhea
Wibawa, Pande Putu Sastra
title KOMUNIKASI VISUAL KARTUN SOMPRET KARYA I WAYAN SADHA
publisher UHN IGB Sugriwa Denpasar
publishDate 2022
topic Cartoons
Globalization
Semiotics
Visual Communication Design
Balinese Culture
url https://ojs.uhnsugriwa.ac.id/index.php/WD/article/view/219
https://ojs.uhnsugriwa.ac.id/index.php/WD/article/view/219/193
contents This paper was written to read visual signs and verbal markscontained in the cartoon Sompret by I Wayan Sadha. I Wayan Sadha'sSompret cartoon has its uniqueness as a work of visual communication.The uniqueness is that the visual communication of this cartoon presentsillustrations, typography, and layouts with a deep appreciation of Balineseculture. The illustration presents a Balinese wearing a headdress is arepresentation of a Balinese in traditional culture. The illustration of aBalinese without a headdress is a representation of a Balinese who is in themodern culture. The typography used utilizes the display font to presentthe conversation and clarify the description of the image. The letters areused to explain the issue raised as Sadha's opinion and point of view on theBali issues. Sadha's Sompret Cartoons only use lines, no color, so his worksappeared as black and white cartoons. Sompret cartoons used thesymmetrical balance composition and hidden balance layout, theperspective of human eye level, and the perspective of a bird's eye. Thisresearch uses descriptive qualitative research method. Semiotic theory isused in this research and focus on denotation and connotation meaning.Denotationally, the Sompret cartoon of Sadha presents a narrative ofevents based on the issue raised related to Balinese traditional culture andthe flow of globalization. The work is created in a one-panel cartoon. Thestory of this cartoon sometimes with conversations of several charactersor only illustrations of the characters without any conversation. With thenarrative being built, the meaning of the connotation can be read. Theconnotations meaning of Sompret cartoons as opinion cartoons is showingthe flow of globalization or modern culture in the middle of the strength ofthe Balinese traditional culture. Connotatively this cartoon can be read asa development of globalization in Bali
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institution Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar
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collection Widya Duta : Jurnal Ilmiah Ilmu Sosial Budaya
repository_id 19622
subject_area Ilmu Komunikasi
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first_indexed 2024-06-11T08:14:49Z
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