The Javanese Panji Story: its transformation and dissemination into the performing arts in Southeast Asia

Main Author: Bramantyo, Triyono
Format: Article PeerReviewed Book
Bahasa: eng
Terbitan: Unnes , 2017
Subjects:
Online Access: http://digilib.isi.ac.id/8534/1/3.%20Panji%20in%20Harmonia.pdf
http://digilib.isi.ac.id/8534/
http://journal.unnes.ac.id/nju/index.php/harmonia
ctrlnum 8534
fullrecord <?xml version="1.0"?> <dc schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><relation>http://digilib.isi.ac.id/8534/</relation><title>The Javanese Panji Story: its transformation and dissemination into the performing arts in Southeast Asia</title><creator>Bramantyo, Triyono</creator><subject>Pengkajian seni musik (musikologi dan pendidikan musik)</subject><description>Abstract&#xD; This paper studies descriptively several versions of Javanese Panji Story with its transformation and dissemination into the performing arts found in Southeast Asia. Accordingly, there are versions varied not only regarding its stories, locations, events, and the style of its narratives but also the flow of the stories. So many other versions have not been described here in this paper just to imagine how this 13th century Javanese literature has turned out to become so many versions. Moreover, the story has spread out not only in Indonesia but also throughout the Southeast Asian archipelago. The study found that authenticity is not the concern because the original version of the Panji Story was not existed and thus texts can be in so many forms. However, what was overwhelming is that the story had been transformed into so many genres of performing arts in Southeast Asia, such as in Indonesia, Thailand, Cambodia and Myanmar, the former state of Burma. The study found that the performing styles of Panji or Inou in Indonesia, Thailand, Cambodia, and Myanmar shared the same styles as typical classical dance of Royal Palace that performed high standards of performances such as glorifying model of costumes and accompanied by aesthetically qualified Royal Palace Music Ensembles.&#xD; Keywords: Panji Story; transformation; performing arts&#xD; How to Cite: Bramantyo, T. &amp; Hung, S. (2017). The Javanese Panji Story: its transformation and dissemination into the performing arts in Southeast Asia. Harmonia: Journal of Arts Research And Education, 17(2), 113-119. doi:http://dx.doi.org/10.15294/harmonia.v17i2.11539</description><publisher>Unnes</publisher><date>2017</date><type>Journal:Article</type><type>PeerReview:PeerReviewed</type><type>Book:Book</type><language>eng</language><identifier>http://digilib.isi.ac.id/8534/1/3.%20Panji%20in%20Harmonia.pdf</identifier><identifier> Bramantyo, Triyono (2017) The Javanese Panji Story: its transformation and dissemination into the performing arts in Southeast Asia. Harmonia: Journal of Arts Research and Education, 17 (2). pp. 113-119. ISSN 2541-1683|e-ISSN 2541-2426 </identifier><relation>http://journal.unnes.ac.id/nju/index.php/harmonia</relation><relation>DOI: 10.15294/harmonia.v17i2.11539The</relation><recordID>8534</recordID></dc>
language eng
format Journal:Article
Journal
PeerReview:PeerReviewed
PeerReview
Book:Book
Book
author Bramantyo, Triyono
title The Javanese Panji Story: its transformation and dissemination into the performing arts in Southeast Asia
publisher Unnes
publishDate 2017
topic Pengkajian seni musik (musikologi dan pendidikan musik)
url http://digilib.isi.ac.id/8534/1/3.%20Panji%20in%20Harmonia.pdf
http://digilib.isi.ac.id/8534/
http://journal.unnes.ac.id/nju/index.php/harmonia
contents Abstract This paper studies descriptively several versions of Javanese Panji Story with its transformation and dissemination into the performing arts found in Southeast Asia. Accordingly, there are versions varied not only regarding its stories, locations, events, and the style of its narratives but also the flow of the stories. So many other versions have not been described here in this paper just to imagine how this 13th century Javanese literature has turned out to become so many versions. Moreover, the story has spread out not only in Indonesia but also throughout the Southeast Asian archipelago. The study found that authenticity is not the concern because the original version of the Panji Story was not existed and thus texts can be in so many forms. However, what was overwhelming is that the story had been transformed into so many genres of performing arts in Southeast Asia, such as in Indonesia, Thailand, Cambodia and Myanmar, the former state of Burma. The study found that the performing styles of Panji or Inou in Indonesia, Thailand, Cambodia, and Myanmar shared the same styles as typical classical dance of Royal Palace that performed high standards of performances such as glorifying model of costumes and accompanied by aesthetically qualified Royal Palace Music Ensembles. Keywords: Panji Story; transformation; performing arts How to Cite: Bramantyo, T. & Hung, S. (2017). The Javanese Panji Story: its transformation and dissemination into the performing arts in Southeast Asia. Harmonia: Journal of Arts Research And Education, 17(2), 113-119. doi:http://dx.doi.org/10.15294/harmonia.v17i2.11539
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