MELAMPAUI REZIM OPTIC: PANDANGAN YANG MENUBUH DAN EROTISME ALICE EVE DALAM “STARTER FOR 10”
| Main Author: | Murti, Ghanesya Hari |
|---|---|
| Format: | Article info Image application/pdf Journal |
| Bahasa: | eng |
| Terbitan: |
Universitas Airlangga
, 2016
|
| Subjects: | |
| Online Access: |
http://e-journal.unair.ac.id/LAKON/article/view/2777 http://e-journal.unair.ac.id/LAKON/article/view/2777/2007 |
| ctrlnum |
article-2777 |
|---|---|
| fullrecord |
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<dc schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><title lang="en-US">MELAMPAUI REZIM OPTIC: PANDANGAN YANG MENUBUH DAN EROTISME ALICE EVE DALAM “STARTER FOR 10”</title><creator>Murti, Ghanesya Hari</creator><subject lang="en-US">Kajian Budaya; Film Studies</subject><subject lang="en-US">Haptic Vision; Haptic Visuality; Subject-Object; Pleasure; Optics</subject><description lang="en-US">Cinematic capability in the movie "Starter For 10" is to remind that eroticism or intimacy is able to surpass the optical regime or gaze as initiated by Mulvey‟s feminist film theory. Deleuze purposes haptic vision, which later on developed by Marks into Haptic Visuality as cinematic ability to dismantle subject-object relation within Mulvey‟s idea that assumed women body only as pleasure.Eroticism offered in the film is able to perform haptic visuality where the audience has a sense of being touched when the eye is no longer able to accommodate the information and the optical has loss its control. Haptic vision allows both to be object because the sensations move to the other senses. Thus, Alice Eve is not only an object but also invites the audience to be the object as well when the other senses are active. Eroticism presented in the film is no longer busy looking for subject and object but more into a unity where deterministic category is no longer exist.</description><publisher lang="en-US">Universitas Airlangga</publisher><contributor lang="en-US"/><date>2016-10-14</date><type>Journal:Article</type><type>Other:info:eu-repo/semantics/publishedVersion</type><type>Other:</type><type>Image:Image</type><type>File:application/pdf</type><identifier>http://e-journal.unair.ac.id/LAKON/article/view/2777</identifier><identifier>10.20473/lakon.v5i1.2777</identifier><source lang="en-US">Lakon : Jurnal Kajian Sastra dan Budaya; Vol 5, No 1 (2016): Jurnal Lakon; 45-52</source><source>2527-4899</source><source>2252-8954</source><language>eng</language><relation>http://e-journal.unair.ac.id/LAKON/article/view/2777/2007</relation><rights lang="en-US">Copyright (c) 2016 both author and Journal</rights><recordID>article-2777</recordID></dc>
|
| language |
eng |
| format |
Journal:Article Journal Other:info:eu-repo/semantics/publishedVersion Other Other: Image:Image Image File:application/pdf File Journal:Journal |
| author |
Murti, Ghanesya Hari |
| title |
MELAMPAUI REZIM OPTIC: PANDANGAN YANG MENUBUH DAN EROTISME ALICE EVE DALAM “STARTER FOR 10” |
| publisher |
Universitas Airlangga |
| publishDate |
2016 |
| topic |
Kajian Budaya Film Studies Haptic Vision Haptic Visuality Subject-Object Pleasure Optics |
| url |
http://e-journal.unair.ac.id/LAKON/article/view/2777 http://e-journal.unair.ac.id/LAKON/article/view/2777/2007 |
| contents |
Cinematic capability in the movie "Starter For 10" is to remind that eroticism or intimacy is able to surpass the optical regime or gaze as initiated by Mulvey‟s feminist film theory. Deleuze purposes haptic vision, which later on developed by Marks into Haptic Visuality as cinematic ability to dismantle subject-object relation within Mulvey‟s idea that assumed women body only as pleasure.Eroticism offered in the film is able to perform haptic visuality where the audience has a sense of being touched when the eye is no longer able to accommodate the information and the optical has loss its control. Haptic vision allows both to be object because the sensations move to the other senses. Thus, Alice Eve is not only an object but also invites the audience to be the object as well when the other senses are active. Eroticism presented in the film is no longer busy looking for subject and object but more into a unity where deterministic category is no longer exist. |
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Universitas Airlangga |
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Lakon Jurnal Kajian Sastra dan Budaya |
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KOTA SURABAYA |
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JAWA TIMUR |
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2017-12-20T00:37:30Z |
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