MENCARI NILAI HORMAT DAN RUKUN PADA TAYANGAN OPERA VAN JAVA DI TRANS 7

Main Authors: Setyowati, Retno Manuhoro, Setiawan, Yuliyanto Budi, Nora, Hastika Yanti
Format: Article info application/pdf eJournal
Bahasa: eng
Terbitan: Department of Communication, FTIK, Universitas Semarang , 2016
Subjects:
Online Access: http://journals.usm.ac.id/index.php/the-messenger/article/view/272
http://journals.usm.ac.id/index.php/the-messenger/article/view/272/174
ctrlnum article-272
fullrecord <?xml version="1.0"?> <dc schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><title lang="en-US">MENCARI NILAI HORMAT DAN RUKUN PADA TAYANGAN OPERA VAN JAVA DI TRANS 7</title><creator>Setyowati, Retno Manuhoro</creator><creator>Setiawan, Yuliyanto Budi</creator><creator>Nora, Hastika Yanti</creator><subject lang="en-US">Opera Van Java; Puppet People Development Standard; Popular Culture; Slapstick Tradition</subject><description lang="en-US">As a form of puppet people development standard, Opera Van Java (OVJ) which aired on Trans 7 can be regarded as puppets of the grip of revolution on a large scale given the characteristics of the OVJ them is to use the Indonesian language and do not use master narratives. OVJ phenomenon is developing a play slapstick tradition of Mataram who first appears. If all this a play performed on the dimensions of verbal (words / sentences), in this OVJ also other aspects of the thematic core of which is actors, morality story, characterization of his characters, costumes, music, and even setting the stage. Opera Van Java turned into popular culture in the form of puppet people are loaded with innovation and reintepretation.</description><publisher lang="en-US">Department of Communication, FTIK, Universitas Semarang</publisher><contributor lang="en-US"/><date>2016-03-23</date><type>Journal:Article</type><type>Other:info:eu-repo/semantics/publishedVersion</type><type>Journal:Article</type><type>Other:</type><type>File:application/pdf</type><identifier>http://journals.usm.ac.id/index.php/the-messenger/article/view/272</identifier><identifier>10.26623/the messenger.v4i1.272</identifier><source lang="en-US">Jurnal The Messenger; Vol 4, No 1 (2012): January-June; 1-15</source><source>2527-2810</source><source>2086-1559</source><language>eng</language><relation>http://journals.usm.ac.id/index.php/the-messenger/article/view/272/174</relation><rights lang="en-US">Copyright (c) 2016 Jurnal The Messenger</rights><rights lang="en-US">http://creativecommons.org/licenses/by-sa/4.0</rights><recordID>article-272</recordID></dc>
language eng
format Journal:Article
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author Setyowati, Retno Manuhoro
Setiawan, Yuliyanto Budi
Nora, Hastika Yanti
title MENCARI NILAI HORMAT DAN RUKUN PADA TAYANGAN OPERA VAN JAVA DI TRANS 7
publisher Department of Communication, FTIK, Universitas Semarang
publishDate 2016
topic Opera Van Java
Puppet People Development Standard
Popular Culture
Slapstick Tradition
url http://journals.usm.ac.id/index.php/the-messenger/article/view/272
http://journals.usm.ac.id/index.php/the-messenger/article/view/272/174
contents As a form of puppet people development standard, Opera Van Java (OVJ) which aired on Trans 7 can be regarded as puppets of the grip of revolution on a large scale given the characteristics of the OVJ them is to use the Indonesian language and do not use master narratives. OVJ phenomenon is developing a play slapstick tradition of Mataram who first appears. If all this a play performed on the dimensions of verbal (words / sentences), in this OVJ also other aspects of the thematic core of which is actors, morality story, characterization of his characters, costumes, music, and even setting the stage. Opera Van Java turned into popular culture in the form of puppet people are loaded with innovation and reintepretation.
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