KEDUDUKAN DAN PERANAN ARJUNA DALAM LAKON-LAKON WAYANG PURWA SURAKARTA
Main Author: | Su, manto |
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Format: | Article PeerReviewed application/pdf |
Terbitan: |
ISI Denpasar
, 2004
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Subjects: | |
Online Access: |
http://repo.isi-dps.ac.id/298/1/Artikel_1.pdf http://jurnal.isi-dps.ac.id/index.php/mudra/article/view/57 http://repo.isi-dps.ac.id/298/ |
ctrlnum |
298 |
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<dc schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><title>KEDUDUKAN DAN PERANAN ARJUNA DALAM LAKON-LAKON WAYANG PURWA SURAKARTA</title><creator>Su, manto</creator><subject>NX Arts in general</subject><description>Abstract: In ancient time Arjuna was one of the Wayang Purwa’s dramatic characters that were loved by a greater part of Javanese people. The selection of this character was based on his attitude, behavior, and profile, which was appropriate as a model. Setting Arjuna a model may be seen in his role when he interacts with other characters in his position as a son, student, head of a family, brother, friend, and as a member of world society. Arjuna’s role in each of those positions is interconnected and integrative in establishing the main Arjuna’s role as a Brahim knight. As a Wisnu’s avatar, Arjuna’s role is to preserve peace, order and world balance. In performing his role, Arjuna observes the motto ‘sticking on pure heart under the umbrella of true spirit’. I order to follow this motto ; he always bears heneng (prudence), hening ( calm), hawas ( careful ), lane ling ( remember ) so that his action is always on the just and right tract, which is illuminated by the light of holly spirit.</description><publisher>ISI Denpasar</publisher><date>2004-09</date><type>Journal:Article</type><type>PeerReview:PeerReviewed</type><type>File:application/pdf</type><identifier>http://repo.isi-dps.ac.id/298/1/Artikel_1.pdf</identifier><relation>http://jurnal.isi-dps.ac.id/index.php/mudra/article/view/57</relation><identifier>Su, manto (2004) KEDUDUKAN DAN PERANAN ARJUNA DALAM LAKON-LAKON WAYANG PURWA SURAKARTA. Mudra (JURNAL SENI BUDAYA), 15. p. 1. ISSN 0854-3461</identifier><relation>http://repo.isi-dps.ac.id/298/</relation><recordID>298</recordID></dc>
|
format |
Journal:Article Journal PeerReview:PeerReviewed PeerReview File:application/pdf File |
author |
Su, manto |
title |
KEDUDUKAN DAN PERANAN ARJUNA DALAM LAKON-LAKON WAYANG PURWA SURAKARTA |
publisher |
ISI Denpasar |
publishDate |
2004 |
topic |
NX Arts in general |
url |
http://repo.isi-dps.ac.id/298/1/Artikel_1.pdf http://jurnal.isi-dps.ac.id/index.php/mudra/article/view/57 http://repo.isi-dps.ac.id/298/ |
contents |
Abstract: In ancient time Arjuna was one of the Wayang Purwa’s dramatic characters that were loved by a greater part of Javanese people. The selection of this character was based on his attitude, behavior, and profile, which was appropriate as a model. Setting Arjuna a model may be seen in his role when he interacts with other characters in his position as a son, student, head of a family, brother, friend, and as a member of world society. Arjuna’s role in each of those positions is interconnected and integrative in establishing the main Arjuna’s role as a Brahim knight. As a Wisnu’s avatar, Arjuna’s role is to preserve peace, order and world balance. In performing his role, Arjuna observes the motto ‘sticking on pure heart under the umbrella of true spirit’. I order to follow this motto ; he always bears heneng (prudence), hening ( calm), hawas ( careful ), lane ling ( remember ) so that his action is always on the just and right tract, which is illuminated by the light of holly spirit. |
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Institut Seni Indonesia Denpasar |
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